

TEACHING TIPS AND MEMORABLE METHODS
Corner Editor: Ayse G. Stromsdorfer
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Round Robin Writing Using a Picture File By Robyn Brinks Whenever I announce to my advanced
class that we’re going to work on writing, the first thing I hear is a
collective sigh. Writing, somewhere along the ESL line, has developed
a stigma. While most students realize the importance of writing and even
recognize the fact that they need to attend writing sessions, they tend
to hate it nonetheless. Upon her retirement, a fellow teacher
handed down to me many of her ESL materials. Among the boxes was a ‘picture
file.’ It contained pictures of virtually everything—nature scenes, portraits,
groups of people, activities, etc. “Perhaps, not such a novel idea,” I
thought, but the response from my students was phenomenal. I took the pictures to class to
work on summaries. I gave a formal explanation as to incorporating the
5 Ws and the H into writing in order to answer the questions “who, what,
when, where, why and how.” Each student was then given a giant picture.
I usually make sure there is a person in the picture for best results.
Their first sentence should be “Who is in the picture?” Rather than answering
the next question, they must exchange their picture with someone else.
It is a good idea to time this so students are all answering the same
question at the same time. The second person reads the first sentence,
studies the picture, and answers “where” the original person is. Complete
sentences are required! Again, the exchanges continue through the questions, making sure that no student has the same picture twice: “Who is this person?” “Where is this person?” “What is this person doing?” “When is this person doing this?” “Why are they doing it?” “How did it end?” Answers can get difficult if a
student gets a picture and the question was answered in a previous sentence.
I often remind them that there are many questions that begin with “Why.”
Encourage them to think broadly. I sometimes do a final exchange
at the end and have the last student add some details—perhaps an actual
name if one hasn’t been used. I collect the stories and pictures,
and we read them together. Students love to see what happened to their
character and how the stories ended. We usually laugh at the conclusions.
I’ve heard everything from, “That isn’t what I was thinking when I said
the woman was unhappy,” to “Someone else thinks the same way I do.” Each student gets a new picture
and writes a complete summary on his/her own. You might still get a collective
sigh, but it’s not nearly as noticeable. I collect this version and evaluate
it for a score. This picture file/round robin can
be used for almost any kind of writing. Of course, a formal lecture is
used first to explain the organization of the type of paragraph being
used. For example, I’ve used the same technique to teach writing paragraphs
of analysis. Begin in the same fashion; each student gets a picture from
the file. The first sentence-maker writes his/her opinion of the place
or person in the picture. Throughout the exchange, each student adds reasons
why this is true, thus analyzing the situation and explaining it
to the reader. I used a picture of a man eating a big piece of cake. The
first student wrote, “Art Jones doesn’t eat well.” The next student added,
“He does not eat well because he has family problems, and he tries to
forget them by eating desserts.” The paragraph progressed through the
students with a detailed analysis of his family problems and the reasons
he drowns his sorrows in sugar. Another productive way to use the
file is to teach writing paragraphs of descriptions. After detailing the
characteristics of a descriptive paragraph and reviewing the importance
of adjectives, each student is again given a picture. The goal, I explain,
is to describe this person or place so vividly that I don’t need to see
the picture to know what it looks like. They pass the pictures around
and add more and more details to the story. Rather than collecting the
stories and reading them to the class myself, I have a student hold up
the picture and we discuss if we envisioned things correctly. What could
we have added to the writing? What could we have deleted? Of course, the
students are then given a new picture, and they do their own writing.
I have them tape their paper over the picture so I can’t see it when I
evaluate. I offer my opinion during the correction process as to how closely
I pictured their topic. For persuasive writing, I use pictures
of objects. We discuss the keys to writing a fine persuasive paragraph,
but we take a slightly different approach in the round robin. I have the
student exchange within groups of four. They have four objects, and they
are required to share the writing to “sell” the objects. After fine-tuning
their “advertisements,” each student presents them to the other groups.
The groups “vote” on which objects they would “buy” based on the persuasiveness
of the writing. Afterwards, the students are given their own picture and
asked to write a persuasive paragraph. This is sometimes harder from the
picture file; it requires the student to think more broadly. There are many other possibilities.
Try comparison/contrast paragraphs using pictures with two people or two
places. Process paragraphs can be written by having students write a topic
sentence and other students adding “what happened next.” A knowledge of
chronological order is needed, and I often present a lecture on common
transition words such as subordinating conjunctions (after, when, etc.)
and adverbial conjunctions (first, second, then, after, next, etc.) In summary, the students respond
well to the activities. Having them write together promotes cohesiveness
and alleviates some of the “fear” that comes with writing assignments.
Also, by seeing/hearing so many examples of the paragraphs before trying
to write on their own, students’ writing samples get better. There are
still grammatical mistakes, but the characteristics of the paragraph types
are all there and much improved. Robyn Brinks teaches ESL for
the Parkway School District in St. Louis, MO. In addition to her teaching
duties, she finds time to give numerous teacher training workshops. She
has also presented at local, regional, and international TESOL conferences.
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******************* ARTICLES The Catcher in The RyeFull article from the Newsletter Teaching Reading Skills: Tips From The Trenches
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